{"id":23140,"date":"2019-02-14T02:45:20","date_gmt":"2019-02-14T01:45:20","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=23140"},"modified":"2020-04-07T16:52:22","modified_gmt":"2020-04-07T15:52:22","slug":"gilda-de-charles-vidor","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/","title":{"rendered":"Gilda de Charles Vidor"},"content":{"rendered":"<p><strong>ARTE rend hommage \u00e0 Rita Hayworth en diffusant dans la soir\u00e9e du lundi 4 mars les deux plus grands films de l\u2019actrice am\u00e9ricaine\u00a0: <em>Gilda<\/em> \u00e0 20h55 et <em>La Dame de Shanghai<\/em> (1947) \u00e0 22h40. Nous avons d\u00e9j\u00e0 parl\u00e9 du chef-d\u2019\u0153uvre d\u2019Orson Welles sur ce blog \u00e0 l\u2019occasion de sa r\u00e9\u00e9dition en blu-ray par Carlotta l\u2019ann\u00e9e derni\u00e8re. Sorti en 1946, <em>Gilda<\/em> marque le retour \u00e0 l\u2019\u00e9cran de Rita Hayworth, et correspond \u00e0 l\u2019apog\u00e9e de sa carri\u00e8re. Ce film noir est b\u00e2ti uniquement autour de l\u2019actrice, alors consid\u00e9r\u00e9e comme la plus belle femme du monde. Il est devenu mythique gr\u00e2ce au strip-tease suggestif de la star lors d\u2019un num\u00e9ro chant\u00e9, sommet de l\u2019\u00e9rotisme cin\u00e9matographique alors qu\u2019elle se contente d\u2019enlever un seul gant. Mais le film de Charles Vidor poss\u00e8de d\u2019autres qualit\u00e9s. Il pr\u00e9sente de nombreuses similitudes avec <em>Casablanca <\/em>et fut con\u00e7u \u00e0 l\u2019instar du c\u00e9l\u00e8bre film de Michael Curtiz dans des conditions chaotiques. Le tournage commen\u00e7a sans que le sc\u00e9nario soit compl\u00e9t\u00e9 et <em>Gilda<\/em> fut \u00e9crit au jour le jour. Le patron de la Columbia, Harry Cohn, produisit le film comme le plus bel \u00e9crin possible pour Rita Hayworth, \u00e0 la fois sex symbol et femme fatale, dont le mariage avec Orson Welles se transformait en naufrage. C\u2019est un triangle amoureux situ\u00e9 dans un casino clandestin de Buenos Aires, avec son lot de trafics et de personnages troubles. Gilda est une aventuri\u00e8re qui s\u00e9duit tous les hommes, partag\u00e9e entre un mari possessif et son ancien amant. Les auteurs instaurent une tension sexuelle et sensuelle de chaque instant, avec de nombreux sous-entendus dans les dialogues et des situations constamment ambigu\u00ebs. La photographie de Rudolph Mat\u00e9 et les costumes de Jean Louis, notamment le fourreau noir du num\u00e9ro chant\u00e9 et un chemisier blanc transparent, subliment la silhouette sculpturale de Rita Hayworth, qui acc\u00e8de dans <em>Gilda<\/em> au statut de d\u00e9esse de cellulo\u00efd.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARTE rend hommage \u00e0 Rita Hayworth en diffusant dans la soir\u00e9e du lundi 4 mars les deux plus grands films\u2026<\/p>\n","protected":false},"author":116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Gilda de Charles Vidor - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gilda de Charles Vidor - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"ARTE rend hommage \u00e0 Rita Hayworth en diffusant dans la soir\u00e9e du lundi 4 mars les deux plus grands films\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-14T01:45:20+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-04-07T15:52:22+00:00\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/\",\"name\":\"Gilda de Charles Vidor - Olivier P\u00e8re\",\"isPartOf\":{\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/#website\"},\"datePublished\":\"2019-02-14T01:45:20+00:00\",\"dateModified\":\"2020-04-07T15:52:22+00:00\",\"author\":{\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/#\/schema\/person\/dc32cd6c79be95e52d43b97a74182558\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Gilda de Charles Vidor\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/#website\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/\",\"name\":\"Olivier P\u00e8re\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/#\/schema\/person\/dc32cd6c79be95e52d43b97a74182558\",\"name\":\"Olivier P\u00e8re\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/bdea7b6a2c195e2c41772429a9694758?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/bdea7b6a2c195e2c41772429a9694758?s=96&d=mm&r=g\",\"caption\":\"Olivier P\u00e8re\"},\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/author\/pereolivier\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Gilda de Charles Vidor - Olivier P\u00e8re","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/","og_locale":"fr_FR","og_type":"article","og_title":"Gilda de Charles Vidor - Olivier P\u00e8re","og_description":"ARTE rend hommage \u00e0 Rita Hayworth en diffusant dans la soir\u00e9e du lundi 4 mars les deux plus grands films\u2026","og_url":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/","og_site_name":"Olivier P\u00e8re","article_published_time":"2019-02-14T01:45:20+00:00","article_modified_time":"2020-04-07T15:52:22+00:00","author":"Olivier P\u00e8re","twitter_misc":{"\u00c9crit par":"Olivier P\u00e8re","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/","url":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/","name":"Gilda de Charles Vidor - Olivier P\u00e8re","isPartOf":{"@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/#website"},"datePublished":"2019-02-14T01:45:20+00:00","dateModified":"2020-04-07T15:52:22+00:00","author":{"@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/#\/schema\/person\/dc32cd6c79be95e52d43b97a74182558"},"breadcrumb":{"@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/2019\/02\/14\/gilda-de-charles-vidor\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.arte.tv\/sites\/olivierpere\/"},{"@type":"ListItem","position":2,"name":"Gilda de Charles Vidor"}]},{"@type":"WebSite","@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/#website","url":"https:\/\/www.arte.tv\/sites\/olivierpere\/","name":"Olivier P\u00e8re","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.arte.tv\/sites\/olivierpere\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/#\/schema\/person\/dc32cd6c79be95e52d43b97a74182558","name":"Olivier P\u00e8re","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.arte.tv\/sites\/olivierpere\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/bdea7b6a2c195e2c41772429a9694758?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/bdea7b6a2c195e2c41772429a9694758?s=96&d=mm&r=g","caption":"Olivier P\u00e8re"},"url":"https:\/\/www.arte.tv\/sites\/olivierpere\/author\/pereolivier\/"}]}},"_links":{"self":[{"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/posts\/23140"}],"collection":[{"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/users\/116"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/comments?post=23140"}],"version-history":[{"count":3,"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/posts\/23140\/revisions"}],"predecessor-version":[{"id":25043,"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/posts\/23140\/revisions\/25043"}],"wp:attachment":[{"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/media?parent=23140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/categories?post=23140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arte.tv\/sites\/olivierpere\/wp-json\/wp\/v2\/tags?post=23140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}