{"id":21707,"date":"2018-01-06T12:13:17","date_gmt":"2018-01-06T11:13:17","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=21707"},"modified":"2018-01-13T12:13:51","modified_gmt":"2018-01-13T11:13:51","slug":"memoires-de-nos-peres-de-clint-eastwood","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2018\/01\/06\/memoires-de-nos-peres-de-clint-eastwood\/","title":{"rendered":"M\u00e9moires de nos p\u00e8res de Clint Eastwood"},"content":{"rendered":"

ARTE diffuse M\u00e9moires de nos p\u00e8res<\/em> (Flags of Our Fathers<\/em>, 2006) dimanche 14 janvier \u00e0 20h55. Avec M\u00e9moires de nos p\u00e8res<\/em> et Lettres de Iwo Jima<\/em>, r\u00e9alis\u00e9s \u00e0 quelques mois d\u2019intervalle, Clint Eastwood s\u2019impose en m\u00e9morialiste de la Seconde Guerre mondiale en racontant, du point du vue am\u00e9ricain puis du point de vue japonais, la bataille d\u2019Iwo Jima qui en f\u00e9vrier en mars 1945 offrit aux troupes am\u00e9ricaines une victoire d\u00e9cisive dans la guerre du Pacifique, au prix de milliers de morts dans les deux camps. Pour raconter cette bataille, M\u00e9moires de nos p\u00e8res<\/em> adopte un angle original. Le film de Clint Eastwood est avant tout l\u2019histoire d\u2019une photo\u00a0: celle prise par le photographe am\u00e9ricain Joe Rosenthal le 23 f\u00e9vrier 1945 montrant cinq Marines \u00e9rigeant le drapeau \u00e9toil\u00e9 au sommet du mont Suribachi, symbole de la conqu\u00eate de l\u2019\u00eele par les soldats am\u00e9ricains \u00e0 l\u2019issue d\u2019un combat acharn\u00e9. Au gr\u00e9 d\u2019un r\u00e9cit en flashbacks naviguant entre diff\u00e9rentes temporalit\u00e9s \u2013 avant, pendant et apr\u00e8s le d\u00e9barquement, mais aussi le retour aux Etats-Unis et la fin de vie d\u2019un des soldats, M\u00e9moires de nos p\u00e8res<\/em> propose la reconstitution spectaculaire de la bataille, film\u00e9e \u00e0 hauteur de fantassin, mais aussi une r\u00e9flexion sur les techniques de propagande des Etats-Unis, qui doivent organiser une collecte de fonds afin de renflouer les caisses vides de l\u2019Etat f\u00e9d\u00e9ral et permettre de continuer l\u2019effort de guerre et venir \u00e0 bout des forces de l\u2019Axe. Cette photographie, avec l\u2019espoir et le triomphalisme qu\u2019elle repr\u00e9sente, va se transformer en formidable outil de communication. Le gouvernement aura l\u2019id\u00e9e de demander \u00e0 trois soldats parmi les porte-drapeaux survivants \u00e0 participer \u00e0 une tourn\u00e9e dans le pays afin de r\u00e9colter les fonds n\u00e9cessaires \u00e0 la poursuite de la guerre. En s\u2019attachant aux destins de ses trois jeunes soldats, Eastwood montre les coulisses d\u2019une vaste entreprise de propagande qui pr\u00e9figure la politique spectacle et les campagnes m\u00e9diatiques modernes. Une telle approche annonce celle du r\u00e9cent Un jour dans la vie de Billy Linn<\/em> de Ang Lee. Les trois soldats d\u00e9boussol\u00e9s, traumatis\u00e9s par la violence des combats, sont exhib\u00e9s dans des stades remplis d\u2019une foule exalt\u00e9e, \u00e0 l\u2019occasion de shows patriotiques o\u00f9 ils sont oblig\u00e9s de reproduire la lev\u00e9e du drapeau. Ce simulacre publicitaire s\u2019accommode de plusieurs entorses \u00e0 la v\u00e9rit\u00e9, puisque deux drapeaux furent en r\u00e9alit\u00e9 successivement plant\u00e9s sur l\u2019\u00eele. Clint Eastwood rejoint ainsi le John Ford de L\u2019homme qui tua Liberty Valance<\/em>, dans lequel un mensonge se tranformait en l\u00e9gende, fondatrice de la restauration de la d\u00e9mocratie am\u00e9ricaine. Si le r\u00e9alisateur rend hommage au courage des soldats et \u00e0 leur sacrifice, il pointe aussi du doigt le cynisme de cette campagne de collecte de fonds b\u00e2tie sur une imposture et une manipulation, sans oublier le racisme ordinaire dont est continuellement victime l\u2019un des soldats, d\u2019origine indienne. Si Eastwood a consacr\u00e9 la majeure partie de son \u0153uvre de cin\u00e9aste \u00e0 traiter du th\u00e8me de l\u2019h\u00e9ro\u00efsme au travers de l\u2019histoire des Etats-Unis, du western aux diff\u00e9rents conflits du XX\u00e8me et XXI\u00e8me si\u00e8cle impliquant son pays, il n\u2019en a jamais occult\u00e9 le c\u00f4t\u00e9 obscur, honteux et sale, avec un esprit critique et d\u00e9mystificateur.<\/p>\n

En toute logique, Lettres d\u2019Iwo Jima<\/em> de Clint Eastwood sera diffus\u00e9 le lendemain de M\u00e9moires de nos p\u00e8res<\/em> sur ARTE, lundi 15 janvier \u00e0 20h55.<\/p>\n

\"M\u00e9moires

M\u00e9moires de nos p\u00e8res<\/em> de Clint Eastwood<\/p><\/div>\n

\"M\u00e9moires

M\u00e9moires de nos p\u00e8res<\/em> de Clint Eastwood<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

ARTE diffuse M\u00e9moires de nos p\u00e8res (Flags of Our Fathers, 2006) dimanche 14 janvier \u00e0 20h55. Avec M\u00e9moires de nos\u2026<\/p>\n","protected":false},"author":116,"featured_media":21708,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"\nM\u00e9moires de nos p\u00e8res de Clint Eastwood - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2018\/01\/06\/memoires-de-nos-peres-de-clint-eastwood\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00e9moires de nos p\u00e8res de Clint Eastwood - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"ARTE diffuse M\u00e9moires de nos p\u00e8res (Flags of Our Fathers, 2006) dimanche 14 janvier \u00e0 20h55. 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