{"id":20940,"date":"2017-06-18T08:39:43","date_gmt":"2017-06-18T07:39:43","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=20940"},"modified":"2017-06-28T08:50:56","modified_gmt":"2017-06-28T07:50:56","slug":"prive-de-robert-altman","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2017\/06\/18\/prive-de-robert-altman\/","title":{"rendered":"Le Priv\u00e9 de Robert Altman"},"content":{"rendered":"

Le Priv\u00e9<\/em> (The Long Goodbye<\/em>, 1973) ressort en salles mercredi 28 juin, distribu\u00e9 par Capricci. Parmi les \u00ab\u00a0classiques\u00a0\u00bb d\u2019Altman, Le Priv\u00e9<\/em> est sans nul doute une des plus grandes r\u00e9ussites du r\u00e9alisateur qui va traverser la d\u00e9cennie en \u00e9tat de gr\u00e2ce, juste avant le tr\u00e8s beau John McCabe<\/em> qui doit beaucoup aux chansons de Leonard Cohen et au couple Warren Beatty-Julie Christie.
\nLe Priv\u00e9<\/em> s\u2019attaque avec autant d\u2019irr\u00e9v\u00e9rence que d\u2019intelligence \u00e0 l\u2019univers et aux arch\u00e9types du film noir propuls\u00e9s dans un monde qui bafoue son h\u00e9ritage culturel et moral pour ne plus s\u2019int\u00e9resser qu\u2019\u00e0 l\u2019argent.
\nAltman a la grande id\u00e9e de prendre le fameux d\u00e9tective de Raymond Chandler, Philip Marlowe, immortalis\u00e9 au cin\u00e9ma par Bogart, et de le transposer dans l\u2019Am\u00e9rique contemporaine, interpr\u00e9t\u00e9 par un acteur comique inattendu dans le r\u00f4le, Elliott Gould. Le Priv\u00e9<\/em> (libre adaptation du roman \u00ab\u00a0The Long Goodbye\u00a0\u00bb, publi\u00e9 aux Etats-Unis en 1954) transforme Marlowe en un personnage anachronique de d\u00e9tective dans la Californie des ann\u00e9es 70. Altman en profite pour dire (d\u00e9j\u00e0) tout le mal qu\u2019il pense de l\u2019Am\u00e9rique moderne. La bonne sant\u00e9, le luxe, le soleil servent d\u2019\u00e9cran \u00e0 la violence, la corruption et la trahison. Le cin\u00e9aste, aid\u00e9 par un Elliott Gould tr\u00e8s en verve, se r\u00e9gale \u00e0 filmer cet excentrique qui ne se d\u00e9pare jamais de sa cravate et de ses costumes us\u00e9s et circule en voiture r\u00e9tro. C\u2019est un solitaire (le film d\u00e9bute par une sc\u00e8ne de m\u00e9nage\u2026 avec un chat), un id\u00e9aliste qui se cache derri\u00e8re ses grimaces et ses vannes cyniques. \u00ab\u00a0It\u2019s okay with me\u00a0\u00bb (\u00ab\u00a0au fond, je me m\u2019en fous\u00a0\u00bb) est sa devise, maintes fois r\u00e9p\u00e9t\u00e9e au gr\u00e9 de ses rencontres. Marlowe new-look \u00e9volue comme son anc\u00eatre parmi les flics, gangsters et jet setters, mais il doit d\u00e9sormais r\u00e9sister \u00e0 l\u2019appel de ses voisines hippies exhibitionnistes, c\u00f4toie moult fumeurs de cannabis et croise un \u00e9crivain alcoolique (le grand Sterling Hayden), dinosaure r\u00e9duit au suicide par la pourriture ambiante.<\/p>\n

Comme souvent, le cin\u00e9aste r\u00e9alise deux films \u2013 voire trois – en un. Il accorde autant d\u2019importance \u00e0 l\u2019intrigue qu\u2019au contexte, \u00e0 l\u2019arri\u00e8re-plan sociologique. Le film grouille de personnages secondaires hauts en couleurs, de r\u00e9pliques hilarantes et de gestes inqui\u00e9tants.
\nG\u00e9nialement film\u00e9, avec une utilisation inventive de l\u2019\u00e9cran large et du plan s\u00e9quence, une photographie magnifique de Vilmos Zsigmond et un accompagnement musical inoubliable de John Williams, Le Priv\u00e9 <\/em>est \u00e0 ranger, avec certains titres de Peckinpah, Fleischer ou Aldrich de la m\u00eame \u00e9poque, parmi les meilleurs films am\u00e9ricains des ann\u00e9es 70. D\u2019une m\u00e9lancolie infinie, \u00e0 mi-chemin entre le polar et la radioscopie d\u2019un pays en plein bouleversement, le chef-d\u2019\u0153uvre d\u2019Altman dresse le double portrait d\u2019un homme en butte avec son temps et d\u2019une civilisation aseptis\u00e9e, endormie par les drogues douces et la soudaine richesse.<\/p>\n

\"Elliott

Elliott Gould dans Le Priv\u00e9<\/em> de Robert Altman<\/p><\/div>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Le Priv\u00e9 (The Long Goodbye, 1973) ressort en salles mercredi 28 juin, distribu\u00e9 par Capricci. 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