{"id":20227,"date":"2017-03-22T02:06:16","date_gmt":"2017-03-22T01:06:16","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=20227"},"modified":"2020-04-13T22:01:31","modified_gmt":"2020-04-13T21:01:31","slug":"lhomme-passe-de-aki-kaurismaki","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2017\/03\/22\/lhomme-passe-de-aki-kaurismaki\/","title":{"rendered":"L\u2019Homme sans pass\u00e9 de Aki Kaurism\u00e4ki"},"content":{"rendered":"<p>A l\u2019occasion de la sortie en salle de <em>L\u2019Autre C\u00f4t\u00e9 de l\u2019espoir<\/em>, annonc\u00e9 comme son dernier long m\u00e9trage, ARTE rend hommage \u00e0 Aki Kaurism\u00e4ki en trois films<em> : L\u2019Homme sans pass\u00e9, Le Havre <\/em>et <em>Ariel, <\/em>qui seront \u00e9galement disponibles en t\u00e9l\u00e9vision de rattrapage sur ARTE Cin\u00e9ma.<em><br \/>\n<\/em><\/p>\n<p><em>L\u2019Homme sans pass\u00e9<\/em> (<em>Mies vailla menneisyytt\u00e4<\/em>, 2002) est diffus\u00e9 mercredi 22 mars \u00e0 20h55. On ne saurait r\u00e9duire le travail de Kaurism\u00e4ki \u00e0 un petit commerce postmoderne o\u00f9 se m\u00ealerait folklore prol\u00e9taire, musique rock et soul des ann\u00e9es 50, citations cin\u00e9philiques et dandysme \u00e9thylique. Sous sa modestie de fa\u00e7ade et son autod\u00e9rision, Aki Kaurism\u00e4ki est un styliste capable de signer avec une formidable \u00e9conomie de moyens, en noir et blanc ou en couleur, des films \u00e0 l\u2019impressionnante beaut\u00e9 plastique. Le soin maniaque apport\u00e9 \u00e0 la lumi\u00e8re, la rigueur de chaque plan, la pr\u00e9cision et la subtilit\u00e9 des dialogues contredisent la d\u00e9sinvolture apparente du cin\u00e9aste et sa r\u00e9putation de farceur. Kaurism\u00e4ki v\u00e9n\u00e8re le cin\u00e9ma muet, Chaplin, Ozu, Bresson, Dreyer, De Sica, Melville&#8230; Cela se voit dans ses films, porteurs d\u2019un humanisme sinc\u00e8re et d\u2019une croyance fervente dans la mise en sc\u00e8ne. Kaurism\u00e4ki peut rendre hommage \u00e0 ses ma\u00eetres au d\u00e9tour d\u2019un plan, mais il ne sombre jamais dans le pastiche. Les r\u00e9f\u00e9rences au cin\u00e9ma am\u00e9ricain des ann\u00e9es 50 abondent dans <em>L\u2019Homme sans pass\u00e9 : <\/em>m\u00e9lodrames en technicolor de Douglas Sirk, s\u00e9ries B de science-fiction, films noir hollywoodiens \u2013 un mouvement en cam\u00e9ra subjective, inattendu chez un auteur adepte du plan fixe, rappelle le d\u00e9but des <em>Passagers de la nuit<\/em> de Delmer Daves. Elles n&rsquo;\u00e9touffent pas le film mais permettent au contraire \u00e0 l&rsquo;inspiration de Kaurism\u00e4ki, brillant cadreur et coloriste, de se d\u00e9ployer.<\/p>\n<p><em>L\u2019Homme sans pass\u00e9<\/em> compte parmi les grands succ\u00e8s critique et public de Kaurism\u00e4ki. Le film fut acclam\u00e9 au Festival de Cannes o\u00f9 il obtint le Grand Prix et le prix d\u2019interpr\u00e9tation f\u00e9minine pour son actrice f\u00e9tiche, la toujours formidable Kati Outinen. Pour Kaurism\u00e4ki, cin\u00e9aste nostalgique par excellence, \u00eatre frapp\u00e9 d\u2019amn\u00e9sie comme son personnage principal, d\u00e9valis\u00e9 et agress\u00e9 par des voyous \u00e0 son arriv\u00e9e \u00e0 Helsinki, est sans doute la pire mal\u00e9diction qui puisse arriver \u00e0 un homme. D\u00e9clar\u00e9 mort \u00e0 l\u2019h\u00f4pital, l\u2019homme sans nom se dresse sur son lit et prend la poudre d\u2019escampette, le visage band\u00e9 comme une momie ou la cr\u00e9ature de Frankenstein. Rena\u00eetre sans m\u00e9moire ni identit\u00e9, c\u2019est aussi l&rsquo;occasion de d\u00e9couvrir le monde avec un regard neuf et repartir \u00e0 z\u00e9ro, dans les marges de la soci\u00e9t\u00e9. L\u2019homme va se cr\u00e9er une nouvelle famille parmi les mendiants de la ville, et trouver l\u2019\u00e2me soeur en la personne d\u2019une soldate de l\u2019Arm\u00e9e du Salut. Apr\u00e8s un d\u00e9but tr\u00e8s sombre, <em>L\u2019Homme sans pass\u00e9<\/em> est finalement l\u2019un des films les plus optimistes et id\u00e9alistes de Kaurism\u00e4ki, sur le th\u00e8me de la solidarit\u00e9 de classe et de l\u2019entraide, o\u00f9 l&rsquo;espoir et l&rsquo;amour finissent par triompher.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A l\u2019occasion de la sortie en salle de L\u2019Autre C\u00f4t\u00e9 de l\u2019espoir, annonc\u00e9 comme son dernier long m\u00e9trage, ARTE rend\u2026<\/p>\n","protected":false},"author":116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>L\u2019Homme sans pass\u00e9 de Aki Kaurism\u00e4ki - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2017\/03\/22\/lhomme-passe-de-aki-kaurismaki\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019Homme sans pass\u00e9 de Aki Kaurism\u00e4ki - 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