{"id":18787,"date":"2016-06-13T12:06:11","date_gmt":"2016-06-13T11:06:11","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=18787"},"modified":"2016-06-18T21:29:10","modified_gmt":"2016-06-18T20:29:10","slug":"proie-de-lauto-stop-de-pasquale-festa-campanile","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/06\/13\/proie-de-lauto-stop-de-pasquale-festa-campanile\/","title":{"rendered":"La Proie de l\u2019auto-stop de Pasquale Festa Campanile"},"content":{"rendered":"

Artus Films \u00e9dite un in\u00e9dit en DVD, La Proie de l\u2019auto-stop<\/em> (Autostop rosso sangue<\/em>, 1977) de Pasquale Festa Campanile, dans une collection qui comprend d\u00e9j\u00e0 La Derni\u00e8re Maison sur la plage<\/em> (La settima donna<\/em>, 1978) de Franco Prosperi. Ce sont deux exemples notoires du filon \u00ab\u00a0Rape and Revenge\u00a0\u00bb \u00e0 l\u2019italienne, sous-genre que l\u2019on retrouve aussi aux Etats-Unis et dans quelques autres pays d\u2019Europe et d\u2019Asie o\u00f9 la production bis voulait profiter avec opportunisme du succ\u00e8s de scandale rencontr\u00e9 par le film de Wes Craven La Derni\u00e8re maison sur la gauche<\/em> (lointainement inspir\u00e9 de La Source<\/em> de Bergman) en 1972. Ces bandes souvent crapuleuses d\u00e9clinent un r\u00e9cit invariable\u00a0: l\u2019agression sexuelle d\u2019une ou de plusieurs jeunes femmes par des voyous puis la vengeance des victimes \u2013 si elles survivent \u2013 ou de leurs parents, dans un enchainement inexorable de violence.<\/p>\n

La Proie de l\u2019auto-stop<\/em> se d\u00e9marque de ce sch\u00e9ma basique en se concentrant sur la relation d\u2019un homme et de sa femme pris en otage par un psychopathe. Il y est question de viol conjugal, de jalousie, de machisme, de jouissance f\u00e9minine, mais ces th\u00e8mes sont abord\u00e9s de mani\u00e8re choquante et racoleuse, typique du cin\u00e9ma d\u2019exploitation, m\u00eame si Pasquale Festa Campanile n\u2019est pas le premier t\u00e2cheron venu.<\/p>\n

\"Franco

Franco Nero dans La Proie de l’auto-stop<\/p><\/div>\n

La Proie de l\u2019auto-stop<\/em> est une \u00e9trange incursion dans le road movie et le thriller violent de Pasquale Festa Campanile, auteur italien appr\u00e9ci\u00e9 pour ses com\u00e9dies libertines ou psychologiques. On y retrouve pourtant le th\u00e8me de pr\u00e9dilection du cin\u00e9aste, la guerre entre les sexes. Ici, Festa Campanile marche sur les plantes bandes de Sam Peckinpah \u2013 avec quelques d\u00e9charges sanglantes au ralenti \u2013 et raconte l\u2019histoire d\u2019un couple en crise qui subit les attaques d\u2019un truand en cavale, dans le d\u00e9sert am\u00e9ricain. Le bandit est interpr\u00e9t\u00e9 par David Hess, sp\u00e9cialis\u00e9 dans les r\u00f4les de brutes sadiques depuis son interpr\u00e9tation traumatisante d\u2019un violeur assassin dans La Derni\u00e8re Maison sur la gauche <\/em>de Wes Craven. Franco Nero, h\u00e9ros du western et du polar italiens, incarne le mari, un pauvre type alcoolique. Les deux hommes vont s\u2019affronter autour du corps d\u00e9sirable de la jeune \u00e9pouse, Corinne Cl\u00e9ry (Histoire d\u2019O<\/em>). Mais le plus cruel et le plus cynique ne sera pas celui que l\u2019on croit. Le film, d\u2019une incroyable noirceur, dresse le portrait atroce d\u2019un phallocrate. Les grandes gueules Franco Nero et David Hess rivalisent en cabotinage \u00e9pais. La Proie de l\u2019auto-stop<\/em> est fortement d\u00e9conseill\u00e9 \u00e0 ceux qui consid\u00e8rent que Elle<\/em> de Paul Verhoeven est un film misogyne et pro viol. Ils risquent de passer un tr\u00e8s mauvais moment devant ce film qui multiplie les sc\u00e8nes et les propos d\u00e9sagr\u00e9ables. La Proie de l\u2019auto-stop<\/em> dresse un portrait \u00e0 charge d\u2019un abruti et d’un rat\u00e9 qui traite sa femme \u2013 la superbe Corinne Cl\u00e9ry \u2013 comme un paillasson. Mais son r\u00e9alisateur n\u2019h\u00e9site pas \u00e0 exhiber la jeune actrice nue sous tous les angles, et \u00e0 la placer dans des situations humiliantes. Les dialogues sont d\u2019une grande vulgarit\u00e9. On a connu le cin\u00e9ma Festa Campanile plus subtil et s\u00e9duisant. Mais sa propension \u00e0 la paillardise et \u00e0 la provocation s’exprime sans aucune retenue dans La Proie de l’auto-stop<\/em>. Comme les westerns italiens dix ans plus t\u00f4t, ce film a \u00e9t\u00e9 enti\u00e8rement tourn\u00e9 en Espagne, mais on peut se laisser pi\u00e9ger par la reconstitution et le choix des ext\u00e9rieurs.<\/p>\n

 <\/p>\n

La Proie de l\u2019auto-stop<\/em> figure parmi la dizaine de films (Massacre \u00e0 la tron\u00e7onneuse<\/em>, Les Guerriers de la nuit<\/em>, Mad Max<\/em> ou Zombie <\/em>pour ne citer que les plus connus) qui furent class\u00e9s \u00ab\u00a0X\u00a0\u00bb pour violence en France \u00e0 partir de 1976. La classification \u00ab\u00a0X\u00a0\u00bb de La Proie de l\u2019auto-stop<\/em> survint en 1978 puis fut abrog\u00e9 en d\u00e9cembre 1981, apr\u00e8s l\u2019arriv\u00e9e de la gauche au pouvoir. Le film doit surtout sa notori\u00e9t\u00e9 \u00e0 son exploitation en vid\u00e9o dans les ann\u00e9es 80.<\/p>\n

\"Jaquette

Jaquette de la vid\u00e9ocassette VHS du film<\/p><\/div>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Artus Films \u00e9dite un in\u00e9dit en DVD, La Proie de l\u2019auto-stop (Autostop rosso sangue, 1977) de Pasquale Festa Campanile, dans\u2026<\/p>\n","protected":false},"author":116,"featured_media":18791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nLa Proie de l\u2019auto-stop de Pasquale Festa Campanile - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/06\/13\/proie-de-lauto-stop-de-pasquale-festa-campanile\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Proie de l\u2019auto-stop de Pasquale Festa Campanile - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Artus Films \u00e9dite un in\u00e9dit en DVD, La Proie de l\u2019auto-stop (Autostop rosso sangue, 1977) de Pasquale Festa Campanile, dans\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/06\/13\/proie-de-lauto-stop-de-pasquale-festa-campanile\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2016-06-13T11:06:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-06-18T20:29:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/ljb9i.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1240\" \/>\n\t<meta property=\"og:image:height\" content=\"696\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/06\/13\/proie-de-lauto-stop-de-pasquale-festa-campanile\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/06\/13\/proie-de-lauto-stop-de-pasquale-festa-campanile\/\",\"name\":\"La Proie de l\u2019auto-stop de Pasquale Festa Campanile - 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