{"id":18667,"date":"2016-05-23T09:28:01","date_gmt":"2016-05-23T08:28:01","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=18667"},"modified":"2016-05-30T14:10:38","modified_gmt":"2016-05-30T13:10:38","slug":"deux-films-arte-au-palmares-du-69eme-festival-de-cannes","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/23\/deux-films-arte-au-palmares-du-69eme-festival-de-cannes\/","title":{"rendered":"Deux films ARTE au palmar\u00e8s du 69\u00e8me Festival de Cannes"},"content":{"rendered":"

Ce n\u2019est pas la premi\u00e8re fois qu\u2019un palmar\u00e8s d\u00e9concerte ou divise les festivaliers et celui du jury la 69\u00e8me<\/sup> \u00e9dition, pr\u00e9sid\u00e9 par le cin\u00e9aste australien George Miller, ne fait pas entorse \u00e0 la r\u00e8gle selon laquelle une s\u00e9lection de qualit\u00e9 accouche d\u2019un palmar\u00e8s d\u00e9cevant. Faute d\u2019avoir vu tous les films de la comp\u00e9tition (seulement 12 sur 21) on ne se permettra pas de porter de jugement p\u00e9remptoire sur les choix du jury, mais force est de constater que les films que nous avons aim\u00e9 cette ann\u00e9e brillent par leur absence du palmar\u00e8s : rien pour Julieta<\/em> de Pedro Almod\u00f3var, Ma Loute<\/em> de Bruno Dumont, Rester vertical<\/em> de Alain Guiraudie, Aquarius<\/em> de Kleber Mendonza Filho (la plus belle nouvelle entr\u00e9e de la comp\u00e9tition), The Neon Demon<\/em> de Nicolas Winding Refn, Sieranevada <\/em>de Cristi Puiu\u2026 sans parler de Elle<\/em> de Paul Verhoeven (Palme d\u2019or r\u00eav\u00e9e). Autant de belles occasions rat\u00e9es de r\u00e9compenser l\u2019audace, l\u2019intelligence et parfois le g\u00e9nie visionnaire d\u2019auteurs qui ont pouss\u00e9 haut et loin les potentialit\u00e9s de l\u2019art cin\u00e9matographique, avec toute sa profondeur et sa complexit\u00e9, ses flots d\u2019\u00e9motions contradictoires et ses chocs sensoriels. Mais nous irons voir les films prim\u00e9s, promis.<\/p>\n

\"Olivier

Olivier Assayas, prix de la mise en sc\u00e8ne pour Personal Shopper<\/em> \u00a9 ARTE France Cin\u00e9ma<\/p><\/div>\n

On ne peut que se r\u00e9jouir en revanche du prix de la mise en sc\u00e8ne ex-\u00e6quo avec le talentueux Cristian Mungiu pour Bacalaureat<\/em> (pas vu) d\u00e9cern\u00e9 \u00e0 Olivier Assayas pour Personal Shopper<\/em>, film de pure mise en sc\u00e8ne dont la croyance dans le cin\u00e9ma, sa capacit\u00e9 \u00e0 capter \u00e0 la fois le monde qui nous entoure et les myst\u00e8res d\u2019une \u00e2me atteint des sommets de trouble et d\u2019\u00e9l\u00e9gance m\u00eal\u00e9s.<\/p>\n

La Palme d\u2019or d\u2019honneur d\u00e9cern\u00e9e \u00e0 Jean-Pierre L\u00e9aud, \u00e9galement pr\u00e9sent \u00e0 Cannes dans l\u2019un des chefs-d’oeuvre du festival, toutes sections confondues, La Mort de Louis XIV <\/em>de Albert Serra, fut le moment le plus fort de la c\u00e9r\u00e9monie de cl\u00f4ture. Plus tard dans la soir\u00e9e Olivier Assayas et Jean-Pierre L\u00e9aud \u00e9taient heureux de se retrouver, le premier ayant dirig\u00e9 le second deux fois dans les ann\u00e9es 90 – Paris s\u2019\u00e9veille<\/em> et surtout Irma Vep<\/em> o\u00f9 L\u00e9aud interpr\u00e9tait un cin\u00e9aste, comme dans Le Dernier Tango \u00e0 Paris<\/em> de Bertolucci et Le Pornographe<\/em> de Bertrand Bonello.<\/p>\n

\"Jean-Pierre

Jean-Pierre L\u00e9aud Palme d’or d’honneur du 69\u00e8me Festival de Cannes et Olivier Assayas \u00a9 ARTE France Cin\u00e9ma<\/p><\/div>\n

Enfin le jury a remis \u2013 fait exceptionnel \u2013 deux prix au m\u00eame film, Le Client<\/em> (Forushande<\/em>) de Ashgar Fahradi \u2013 meilleur sc\u00e9nario, meilleur acteur pour Shahab Hosseini, saluant le travail d\u2019un cin\u00e9aste en pleine possession de ses moyens.<\/p>\n

Nous aurons l\u2019occasion de revenir sur ces films (et les autres) au moment de leur sortie en salles.<\/p>\n

Un grand merci \u00e0 toute l\u2019\u00e9quipe d\u2019ARTE pr\u00e9sente \u00e0 Cannes et aux op\u00e9rateurs qui ont rendu possible la couverture du festival pour notre plateforme cin\u00e9ma, en particulier Anne Bidaux, Virginie Apiou, Barbara Fuchs et Lama Serhan.<\/p>\n

\"Asghar

Asghar Farhadi prix du meilleur sc\u00e9nario pour Le Client<\/em> \u00a9 Bertrand No\u00ebl<\/p><\/div>\n

\"dans

Shahab Hosseini prix d’interpr\u00e9tation masculine pour Le Client<\/em> de Asghar Farhadi<\/p><\/div>\n

ARTE-Cannes2016-palmare\u0300s<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ce n\u2019est pas la premi\u00e8re fois qu\u2019un palmar\u00e8s d\u00e9concerte ou divise les festivaliers et celui du jury la 69\u00e8me \u00e9dition,\u2026<\/p>\n","protected":false},"author":116,"featured_media":18668,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,6],"tags":[],"yoast_head":"\nDeux films ARTE au palmar\u00e8s du 69\u00e8me Festival de Cannes - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/23\/deux-films-arte-au-palmares-du-69eme-festival-de-cannes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Deux films ARTE au palmar\u00e8s du 69\u00e8me Festival de Cannes - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Ce n\u2019est pas la premi\u00e8re fois qu\u2019un palmar\u00e8s d\u00e9concerte ou divise les festivaliers et celui du jury la 69\u00e8me \u00e9dition,\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/23\/deux-films-arte-au-palmares-du-69eme-festival-de-cannes\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2016-05-23T08:28:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2016-05-30T13:10:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/img_1367-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/23\/deux-films-arte-au-palmares-du-69eme-festival-de-cannes\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/23\/deux-films-arte-au-palmares-du-69eme-festival-de-cannes\/\",\"name\":\"Deux films ARTE au palmar\u00e8s du 69\u00e8me Festival de Cannes - 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