{"id":18628,"date":"2016-05-21T16:03:24","date_gmt":"2016-05-21T15:03:24","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=18628"},"modified":"2016-05-24T11:52:43","modified_gmt":"2016-05-24T10:52:43","slug":"cannes-2016-jour-11-the-neon-demon-de-nicolas-winding-refn-competition","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/21\/cannes-2016-jour-11-the-neon-demon-de-nicolas-winding-refn-competition\/","title":{"rendered":"Cannes 2016 Jour 11 : The Neon Demon de Nicolas Winding Refn (Comp\u00e9tition)"},"content":{"rendered":"

C\u2019est typiquement le film que la critique adore ha\u00efr. Et son auteur semble \u00eatre le premier \u00e0 y prendre plaisir. Ego trip \u00e0 la m\u00e9galomanie assum\u00e9e d\u00e8s le g\u00e9n\u00e9rique \u2013 les initiales de Nicolas Winding Refn s\u2019affichent sur le g\u00e9n\u00e9rique comme la griffe d\u2019un grand couturier \u2013 The Neon Demon<\/em> enfonce le clou dans le d\u00e9sir arrogant du cin\u00e9aste danois de s\u2019affranchir des r\u00e8gles \u00e9l\u00e9mentaires de la mise en sc\u00e8ne et de la narration. NWR n\u2019a pas grand chose \u00e0 dire sur le monde de la mode et du luxe qu\u2019il observe de mani\u00e8re hautaine en en reproduisant l\u2019esth\u00e9tique papier glac\u00e9, \u00e0 sa fa\u00e7on extr\u00e9miste et agressive. On pourrait comparer pour mieux les opposer The Neon Demon<\/em> avec Personal Shopper<\/em>, le second offrant un point de vue critique et m\u00eame moral, le premier choisissant d\u2019avancer en fonction \u00e9nergie lente, dans un mouvement immobile fascination\/r\u00e9pulsion. Mais l\u2019int\u00e9r\u00eat est ailleurs : The Neon Demon<\/em> confirme l\u2019orientation un peu d\u00e9mente de NWR vers l\u2019abstraction, l\u2019art cin\u00e9tique, d\u00e9laissant la logique (et une certaine id\u00e9e du cin\u00e9ma) pour s\u2019enivrer d\u2019effluves visuelles et sonores destin\u00e9es \u00e0 traumatiser la r\u00e9tine en douceur. Le d\u00e9but du film est vraiment somptueux, montrant l\u2019arriv\u00e9e de Jesse (Elle Fanning, parfaite), longiligne provinciale mineure et na\u00efve dans l\u2019univers impitoyable des super models \u00e0 Los Angeles. Elle n\u2019a jamais vu le loup, mais c\u2019est un puma qui fera irruption dans la chambre de son motel, dans une sc\u00e8ne incroyable. The Neon Demon<\/em> s\u2019ouvre sur une s\u00e9ance de shooting au look porn art, l\u2019adolescente \u00e0 l\u2019\u00e9rotisme trouble posant en cadavre ensanglant\u00e9 sous l\u2019objectif de son petit copain, photographe amateur. L\u2019ascension de Jesse au pays des poup\u00e9es de chair va co\u00efncider avec sa coupure du monde r\u00e9el puis son engloutissement dans un cauchemar \u00e9veill\u00e9 fait de sorcellerie, de saphisme, de n\u00e9crophilie et de cannibalisme. Rien que \u00e7a. C\u2019est du c\u00f4t\u00e9 du cin\u00e9ma d\u2019horreur qu\u2019il faut chercher les v\u00e9ritables qualit\u00e9s de The Neon Demon<\/em>, m\u00eame si la dimension documentaire du film monstre de NWR n\u2019est pas \u00e0 n\u00e9gliger. The Neon Demon<\/em> est un quasi remake de Suspiria <\/em>de Dario Argento, moins convulsif que l\u2019original mais tout aussi f\u00e9minin, psych\u00e9d\u00e9lique et allum\u00e9, accouchant d\u2019images \u00e0 la fois sublimes et obsc\u00e8nes. NWR peut pr\u00e9tendre au statut de grand gourou visionnaire, cr\u00e9ateur d\u2019ambiances stup\u00e9fiantes et de sc\u00e8nes choc \u00e0 la plasticit\u00e9 malsaine. Un terrain qu\u2019il occupe seul aujourd\u2019hui, et avec panache.<\/p>\n

\"Elle

Elle Fanning dans The Neon Demon<\/em> de Nicolas Winding Refn<\/p><\/div>\n

\"Nicolas

Nicolas Winding Refn \u00a9 ARTE France Cin\u00e9ma<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

C\u2019est typiquement le film que la critique adore ha\u00efr. Et son auteur semble \u00eatre le premier \u00e0 y prendre plaisir.\u2026<\/p>\n","protected":false},"author":116,"featured_media":18629,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nCannes 2016 Jour 11 : The Neon Demon de Nicolas Winding Refn (Comp\u00e9tition) - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/21\/cannes-2016-jour-11-the-neon-demon-de-nicolas-winding-refn-competition\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2016 Jour 11 : The Neon Demon de Nicolas Winding Refn (Comp\u00e9tition) - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"C\u2019est typiquement le film que la critique adore ha\u00efr. 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