{"id":18375,"date":"2016-05-06T19:26:40","date_gmt":"2016-05-06T18:26:40","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=18375"},"modified":"2016-05-08T19:31:39","modified_gmt":"2016-05-08T18:31:39","slug":"blow-up-de-michelangelo-antonioni-2","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/06\/blow-up-de-michelangelo-antonioni-2\/","title":{"rendered":"Blow Up de Michelangelo Antonioni"},"content":{"rendered":"

Le Th\u00e9\u00e2tre du Temple ressort mercredi 11 mai en version restaur\u00e9e Blow Up<\/em> de Michelangelo Antonioni.<\/span><\/p>\n

En 1966, Michelangelo Antonioni vient de r\u00e9aliser coup sur coup quatre films interpr\u00e9t\u00e9s par Monica Vitti, L\u2019avventura<\/em>, La Nuit<\/em>, L\u2019Eclipse<\/em> et Le D\u00e9sert rouge<\/em>. Apr\u00e8s cette t\u00e9tralogie essentielle du cin\u00e9ma moderne, Antonioni quitte l’Italie et son actrice de pr\u00e9dilection pour aller tourner pour la premi\u00e8re fois un film en langue anglaise \u00e0 Londres. Il d\u00e9laisse par la m\u00eame occasion ses personnages de femmes pour suivre les errances m\u00e9taphysiques d’arch\u00e9types masculins habit\u00e9s par un d\u00e9sir vague de fuite, une pulsion morbide qui les achemine vers le d\u00e9doublement, la solitude, le vide, la mort. Blow Up<\/em> prolonge ainsi Le Cri<\/em> et pr\u00e9figure Profession : reporter<\/em>. Ces trois films constituent peut-\u00eatre la meilleure part et la moins comment\u00e9e de l\u2019\u0153uvre du cin\u00e9aste. Inspir\u00e9 d\u2019une nouvelle de l\u2019\u00e9crivain argentin Julio Cortazar, et plus secr\u00e8tement du cin\u00e9ma d\u2019Alfred Hitchcock, Blow Up<\/em> est un r\u00e9cit policier sans r\u00e9solution, r\u00e9flexion brillante sur l’art et la r\u00e9alit\u00e9, dans lequel l’agrandissement d’une image photographique permet l’apparition puis la disparition de la preuve d’un meurtre. Un photographe de mode (David Hemmings) observe et photographie un couple d’amoureux dans un parc londonien. La jeune femme (Vanessa Redgrave) est pr\u00eate \u00e0 tout pour r\u00e9cup\u00e9rer le rouleau de pellicule mais le photographe s\u2019y refuse. Il d\u00e9couvre en d\u00e9veloppant les films puis en les agrandissant (le \u00ab\u00a0blow up\u00a0\u00bb du titre) qu’il a \u00e9t\u00e9 t\u00e9moin d\u2019un meurtre. Mais les preuves dispara\u00eetront et personne ne le croira.
\n\u00ab L’art d’Antonioni est comme l’entrelacement de cons\u00e9quences, de suites et d’effets temporels qui d\u00e9coulent d’\u00e9v\u00e9nements hors champ. \u00bb (Gilles Deleuze)
\nAntonioni n’est pas seulement un des plus grands artistes de la modernit\u00e9, c’est aussi un cin\u00e9aste de la jeunesse, de la contemporan\u00e9it\u00e9 et de la mode. Si le propos philosophique de Blow Up<\/em> est universel, le film s\u2019empare des f\u00e9tiches du Londres branch\u00e9 de la fin des ann\u00e9es 60, le \u00ab\u00a0Swingin\u2019 London\u00a0\u00bb et les critique avec intelligence et acuit\u00e9\u00a0en les situant au c\u0153ur de l\u2019intrigue : la musique pop, les top models \u00e9vapor\u00e9s, la libert\u00e9 sexuelle, l\u2019art contemporain abstrait ou hyperr\u00e9aliste (les deux se rejoignent lors de l\u2019agrandissement excessif d\u2019un d\u00e9tail de la photographie) et l\u2019influence grandissante de la drogue. Blow Up<\/em> est \u00e9galement un film s\u00e9minal qui va influencer de mani\u00e8re explicite ou souterraine tout un pan du cin\u00e9ma contemporain, de la s\u00e9rie B au film de genre en passant par quelques films de grands cin\u00e9astes : Les Frissons de l\u2019angoisse<\/em> de Dario Argento (qui partage le m\u00eame acteur principal, David Hemmings, avec Blow Up<\/em>), Conversation secr\u00e8te<\/em> de Francis Ford Coppola, Blow Out<\/em> de Brian De Palma ne cachent pas leur dette envers le chef-d\u2019\u0153uvre d\u2019Antonioni. Apr\u00e8s le triomphe critique et commercial de Blow Up<\/em>, Palme d\u2019Or \u00e0 Cannes en 1967, Antonioni choisira de radicaliser sa d\u00e9marche d’artiste et de voyageur avec des films encore plus spectaculaires et exp\u00e9rimentaux, Zabriskie Point<\/em> et Profession : reporter<\/em>.<\/span><\/p>\n

 <\/p>\n

Le 25 mai le Th\u00e9\u00e2tre du Temple ressortira Zabriskie Point<\/em> (1970), autre grand film d’Antonioni.<\/p>\n

\"<em>Blow<\/a>

Blow Up<\/em> de Michelangelo Antonioni (1966)<\/p><\/div>\n

\"Blow<\/a>

Blow Up<\/em> de Michelangelo Antonioni (1966)<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

Le Th\u00e9\u00e2tre du Temple ressort mercredi 11 mai en version restaur\u00e9e Blow Up de Michelangelo Antonioni. En 1966, Michelangelo Antonioni\u2026<\/p>\n","protected":false},"author":116,"featured_media":15073,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nBlow Up de Michelangelo Antonioni - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2016\/05\/06\/blow-up-de-michelangelo-antonioni-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Blow Up de Michelangelo Antonioni - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Le Th\u00e9\u00e2tre du Temple ressort mercredi 11 mai en version restaur\u00e9e Blow Up de Michelangelo Antonioni. 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