{"id":15480,"date":"2015-05-05T02:10:22","date_gmt":"2015-05-05T01:10:22","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=15480"},"modified":"2015-05-04T05:36:10","modified_gmt":"2015-05-04T04:36:10","slug":"barton-fink-de-joel-coen","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2015\/05\/05\/barton-fink-de-joel-coen\/","title":{"rendered":"Barton Fink de Joel Coen"},"content":{"rendered":"

ARTE consacre une soir\u00e9e sp\u00e9ciale \u00e0 Joel et Ethan Coen, pr\u00e9sidents du jury du 68\u00e8me<\/sup> Festival de Cannes en diffusant deux de leurs meilleurs films, pr\u00e9sent\u00e9s et prim\u00e9s \u00e0 Cannes, dimanche 17 mai\u00a0: Fargo<\/em> \u00e0 20h45 et Barton Fink<\/em> \u00e0 22h20.<\/p>\n

Barton Fink<\/em> obtint en 1991 la Palme d\u2019or, mais aussi le prix de la mise en sc\u00e8ne et le prix de la meilleure interpr\u00e9tation masculine pour John Turturro (photo en t\u00eate de texte). R\u00e9compenses attribu\u00e9es par un jury pr\u00e9sid\u00e9 par Roman Polanski, qui ne fut sans doute pas insensible \u00e0 l\u2019humour noir, au style et aux pr\u00e9occupations du film, assez proches de ceux du r\u00e9alisateur du Locataire<\/em>.<\/p>\n

Le quatri\u00e8me long m\u00e9trage des fr\u00e8res Coen propose un point de vue tr\u00e8s sardonique sur le Hollywood du d\u00e9but des ann\u00e9es 40, \u00e0 travers les m\u00e9saventures d\u2019un dramaturge en vogue invit\u00e9 \u00e0 Los Angeles par Capital Pictures pour y \u00e9crire un film. Barton Fink, intellectuel juif new yorkais aux id\u00e9es progressistes \u00e9crit des pi\u00e8ces aux th\u00e8mes sociaux dont les protagonistes appartiennent au prol\u00e9tariat. Avec un m\u00e9lange de na\u00efvet\u00e9 et de pr\u00e9tention il esp\u00e8re importer son art et ses convictions politiques dans des fictions hollywoodiennes. Rien ne se passe comme Fink le croyait. Le patron du studio est un vulgaire m\u00e9galomane, l\u2019h\u00f4tel o\u00f9 est log\u00e9 Barton est un bouge humide et \u00e9touffant, la commande qui lui est pass\u00e9e \u2013 \u00e9crire un film de catch pour Wallace Beery – ne l\u2019inspire pas du tout. Barton Fink tord le cou \u00e0 de nombreux clich\u00e9s sur le Los Angeles ensoleill\u00e9 des ann\u00e9es 40 et Hollywood usine \u00e0 r\u00eaves puisque l\u2019action du film se d\u00e9roule presque enti\u00e8rement dans l\u2019h\u00f4tel de Barton, o\u00f9 le pr\u00e9tendant sc\u00e9nariste seul devant sa page blanche est visit\u00e9 par un \u00e9trange voisin ob\u00e8se, repr\u00e9sentant de commerce solitaire en qu\u00eate de camaraderie. L\u2019autre rencontre que fait Barton est celle d\u2019un c\u00e9l\u00e8bre \u00e9crivain alcoolique lui aussi exil\u00e9 et insatisfait \u00e0 Hollywood, inspir\u00e9 par William Faulkner (Barton Fink est quant \u00e0 lui calqu\u00e9 sur Clifton Odets, auteur de th\u00e9\u00e2tre de gauche qui \u00e9crivit et r\u00e9alisa quelques films.)<\/p>\n

\"Barton

Barton Fink<\/p><\/div>\n

Juste apr\u00e8s Miller\u2019s Crossing<\/em> les fr\u00e8res Coen r\u00e9alisent un nouveau \u00ab\u00a0film cerveau\u00a0\u00bb, un r\u00e9cit onirique en vase clos dans lequel chaque d\u00e9tail du d\u00e9cor prend une connotation organique. Le corridor, l\u2019ascenseur, la chambre \u00e0 coucher sombre et d\u2019une chaleur \u00e9touffante, avec le papier peint qui se d\u00e9colle des murs renvoient aux lobes du cerveau de Barton, bombard\u00e9 d\u2019informations angoissantes ou inqui\u00e9tantes, avec comme point d\u2019orgue la d\u00e9couverte d\u2019un cadavre de femme dans son lit. Ivre de c\u00e9l\u00e9brit\u00e9 et de gloire \u00e0 New York Barton Fink devient \u00e0 Hollywood un petit scribouillard impuissant et terroris\u00e9 par les pontes des studios ou les policiers antis\u00e9mites qui viennent l\u2019interroger. Le sentiment de pers\u00e9cution et de parano\u00efa de Fink, qui a de plus en plus de mal \u00e0 distinguer la r\u00e9alit\u00e9 du cauchemar et de l\u2019hallucination, ne tient pas seulement \u00e0 son inadaptation dans un nouvel univers impitoyable mais aussi \u00e0 sa classe et \u00e0 ses origines ethniques, dans une Am\u00e9rique qui sort tardivement de son isolationnisme pour s\u2019engager dans le second conflit mondial apr\u00e8s l\u2019attaque de Pearl Harbour, et qui compta avant son entr\u00e9e en guerre de nombreux sympathisants nazis et adversaires d\u2019une intervention en Europe sous le joug de Hitler.<\/p>\n","protected":false},"excerpt":{"rendered":"

ARTE consacre une soir\u00e9e sp\u00e9ciale \u00e0 Joel et Ethan Coen, pr\u00e9sidents du jury du 68\u00e8me Festival de Cannes en diffusant\u2026<\/p>\n","protected":false},"author":116,"featured_media":15481,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"\nBarton Fink de Joel Coen - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2015\/05\/05\/barton-fink-de-joel-coen\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Barton Fink de Joel Coen - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"ARTE consacre une soir\u00e9e sp\u00e9ciale \u00e0 Joel et Ethan Coen, pr\u00e9sidents du jury du 68\u00e8me Festival de Cannes en diffusant\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2015\/05\/05\/barton-fink-de-joel-coen\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2015-05-05T01:10:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-05-04T04:36:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/bf1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"896\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2015\/05\/05\/barton-fink-de-joel-coen\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2015\/05\/05\/barton-fink-de-joel-coen\/\",\"name\":\"Barton Fink de Joel Coen - 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