De tous les genres cin\u00e9matographiques, le polar est sans aucun doute celui qui n\u2019a connu aucune \u00e9clipse et dont la popularit\u00e9 ne s\u2019est jamais d\u00e9mentie. De ses origines avec les films \u00e0 \u00e9pisodes muets jusqu\u2019\u00e0 aujourd\u2019hui, sur tous les continents le cin\u00e9ma policier n\u2019a jamais cess\u00e9 de passionner aussi bien les spectateurs que les auteurs de films, qui ont trouv\u00e9 dans les romans noirs et les histoires criminelles, r\u00e9elles ou invent\u00e9es, une in\u00e9puisable source d\u2019inspiration. La production du cin\u00e9ma policier se distingue \u00e0 la fois par sa quantit\u00e9 et sa qualit\u00e9 : parmi la multitude de polars r\u00e9alis\u00e9s dans le monde entier on trouve \u00e0 toutes les \u00e9poques une quantit\u00e9 impressionnante de chefs-d\u2019\u0153uvre et de r\u00e9ussites exceptionnelles, sign\u00e9s par les plus grands noms de l\u2019histoire du cin\u00e9ma.<\/p>\n
![\"Jack](\"https:\/\/www.arte.tv\/sites\/fr\/olivierpere\/files\/chinatown-1.jpg\")
Jack Nicholson et Faye Dunaway dans Chinatown de Roman Polanski, le 15 mars sur ARTE<\/p><\/div>\n
Pourquoi\u00a0? Parce que le polar permet aux sc\u00e9naristes et cin\u00e9astes d\u2019aborder tous les sujets et de proposer une vision de notre temps et de l\u2019\u00e2me humaine, du drame passionnel \u00e0 la critique des institutions judiciaires ou politiques, de l\u2019\u00e9tude psychologique \u00e0 l\u2019exercice de style, du r\u00e9alisme documentaire \u00e0 la parodie, drame et action intimement m\u00eal\u00e9s.<\/p>\n
Flics, femmes fatales et voyous ont donn\u00e9 naissance \u00e0 des mythologies modernes exalt\u00e9es ou critiqu\u00e9es par le cin\u00e9ma, tandis que le r\u00e9alisateur est toujours ce d\u00e9tective priv\u00e9 capable de s\u2019immiscer dans l\u2019intimit\u00e9 d\u2019un couple aussi bien que dans l\u2019esprit d\u2019un meurtrier ou les arcanes du pouvoir politique\u2026<\/p>\n
Ce premier \u00ab\u00a0printemps du polar\u00a0\u00bb sur ARTE du 9 au 26 mars ne pr\u00e9tend pas refl\u00e9ter toute la richesse ni la diversit\u00e9 du cin\u00e9ma policier mais proposera plusieurs classiques incontournables du polar ou du film noir, \u00e0 diff\u00e9rentes p\u00e9riodes et sous diff\u00e9rentes latitudes, mis en sc\u00e8ne par des cin\u00e9astes dont la contribution au genre fut exceptionnelle : Quai des orf\u00e8vres<\/em> de Henri-Georges Clouzot, Chinatown<\/em> de Roman Polanski, Serpico<\/em> de Sidney Lumet, Classe tous risques<\/em> de Claude Sautet (photo en t\u00eate de texte), Pour toi, j\u2019ai tu\u00e9<\/em> de Robert Siodmak\u2026 accompagn\u00e9s par la s\u00e9rie anglaise \u00ab\u00a0Peaky Blinders\u00a0\u00bb, des fictions polici\u00e8res et l\u2019in\u00e9dit Mousson rouge<\/em> (Monsoon Shoutout<\/em>), \u00e9tonnant thriller indien d\u00e9couvert au Festival de Cannes en 2013. Sans oublier le remarquable L.627<\/em> de Bertrand Tavernier, cin\u00e9aste touche-\u00e0-tout, cin\u00e9phile sp\u00e9cialiste et amoureux du cin\u00e9ma policier qui a accept\u00e9 d\u2019\u00eatre le parrain du \u00ab\u00a0printemps du polar\u00a0\u00bb d\u2019ARTE en pr\u00e9sentant \u00e0 l\u2019antenne et sur l\u2019offre ARTE Cin\u00e9ma six des films diffus\u00e9s pendant le cycle, avec l\u2019\u00e9rudition et l\u2019enthousiasme qu\u2019on lui connait.<\/p>\n","protected":false},"excerpt":{"rendered":"De tous les genres cin\u00e9matographiques, le polar est sans aucun doute celui qui n\u2019a connu aucune \u00e9clipse et dont la\u2026<\/p>\n","protected":false},"author":116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"\n
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