{"id":13928,"date":"2014-11-20T03:56:31","date_gmt":"2014-11-20T02:56:31","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=13928"},"modified":"2014-10-28T16:36:07","modified_gmt":"2014-10-28T15:36:07","slug":"mercuriales-de-virgil-vernier","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/20\/mercuriales-de-virgil-vernier\/","title":{"rendered":"Mercuriales de Virgil Vernier"},"content":{"rendered":"

Apr\u00e8s plusieurs courts et moyens m\u00e9trages Virgil Vernier signe un premier long m\u00e9trage remarquable qui l\u2019impose comme l\u2019un des talents les plus originaux du nouveau cin\u00e9ma fran\u00e7ais. Apr\u00e8s une pr\u00e9sentation remarqu\u00e9e \u00e0 l’ACID pendant le Festival de Cannes, Mercuriales<\/em> sort mercredi 26 novembre dans les salles fran\u00e7aises, distribu\u00e9 par Shellac.<\/p>\n

Les Mercuriales sont ces deux tours jumelles situ\u00e9es Porte de Bagnolet. Dans la banlieue parisienne elles ressemblent \u00e0 un ersatz du World Trade Center (m\u00eame architecture orgueilleuse) et \u00e9voquent des totems d\u2019une grandeur d\u00e9chue, symboles de la crise. C\u2019est dans ce paysage sinistr\u00e9 qu\u2019\u00e9voluent les h\u00e9ro\u00efnes et h\u00e9ros du film, deux filles et un gar\u00e7on d\u2019une vingtaine d\u2019ann\u00e9es dont les r\u00eaves et les illusions se heurtent \u00e0 la r\u00e9alit\u00e9 de la soci\u00e9t\u00e9 fran\u00e7aise d\u2019aujourd\u2019hui.<\/p>\n

Pourtant Virgil Vernier se tient tr\u00e8s \u00e9loign\u00e9 d\u2019une approche naturaliste, documentaire ou sociologique. Tel qu\u2019il le met en sc\u00e8ne Mercuriales<\/i> tient davantage du r\u00e9cit mythologique que de la chronique sociale, filmant ses jeunes protagonistes comme des princesses, des magiciennes et des guerriers \u00e9gar\u00e9s dans un univers parall\u00e8le en forme de jungle urbaine.<\/p>\n

Il pr\u00e9sente d\u2019ailleurs son film ainsi\u00a0: \u00ab\u00a0Cette histoire se passe en des temps recul\u00e9s, des temps de violence.
\nPartout \u00e0 travers l\u2019Europe une sorte de guerre se propageait.
\nDans une ville il y avait deux s\u0153urs qui vivaient\u2026\u00a0\u00bb<\/p>\n

Les premi\u00e8res images du film, \u00e0 la fois concr\u00e8tes et hallucinantes, dans les entrailles souterraines d\u2019acier et de b\u00e9ton des tours, avec en fond sonore le rock \u00e9lectronique exp\u00e9rimental de James Ferraro, nous plongent imm\u00e9diatement dans une ambiance pr\u00e9 apocalyptique digne de John Carpenter ou George A. Romero.<\/p>\n

Comme \u00e0 son habitude Virgil Vernier a souhait\u00e9 confier l\u2019interpr\u00e9tation de son film \u00e0 des com\u00e9diens non professionnels (les formidables r\u00e9v\u00e9lations Philippine Stindel et Ana Neborac en filles du feu et de la nuit) et a tourn\u00e9 en 16mm, pour rompre avec une esth\u00e9tique et une imagerie num\u00e9riques contemporaines et donner une dimension intemporelle \u00e0 Mercuriales<\/em>. Pari r\u00e9ussi, la photographie de Mercuriales <\/i>est sensationnelle.<\/p>\n

\"Mercuriales<\/a>

Philippine Stindel et Ana Neborac, h\u00e9ro\u00efnes de Mercuriales de Virgil Vernier (ACID)<\/p><\/div>\n

Mercuriales<\/i> est produit par Jean-Christophe Reymond (Kazak Productions), d\u00e9j\u00e0 complice des pr\u00e9c\u00e9dents films de Virgil Vernier, et coproduit par ARTE France Cin\u00e9ma..<\/p>\n

 <\/p>\n

\"Virgile<\/a>

Virgil Vernier et ses actrices Philippine Stindel et Ana Neborac \u00e0 Cannes \u00a9 Paul Blind<\/p><\/div>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s plusieurs courts et moyens m\u00e9trages Virgil Vernier signe un premier long m\u00e9trage remarquable qui l\u2019impose comme l\u2019un des talents\u2026<\/p>\n","protected":false},"author":116,"featured_media":12379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9,6],"tags":[],"yoast_head":"\nMercuriales de Virgil Vernier - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/20\/mercuriales-de-virgil-vernier\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mercuriales de Virgil Vernier - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s plusieurs courts et moyens m\u00e9trages Virgil Vernier signe un premier long m\u00e9trage remarquable qui l\u2019impose comme l\u2019un des talents\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/20\/mercuriales-de-virgil-vernier\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2014-11-20T02:56:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-28T15:36:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/arton3521.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1323\" \/>\n\t<meta property=\"og:image:height\" content=\"811\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/20\/mercuriales-de-virgil-vernier\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/20\/mercuriales-de-virgil-vernier\/\",\"name\":\"Mercuriales de Virgil Vernier - 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