{"id":13805,"date":"2014-10-01T03:29:59","date_gmt":"2014-10-01T02:29:59","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=13805"},"modified":"2014-10-01T21:33:04","modified_gmt":"2014-10-01T20:33:04","slug":"lintervallo-de-leonardo-di-costanzo","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/10\/01\/lintervallo-de-leonardo-di-costanzo\/","title":{"rendered":"L’Intervallo de Leonardo Di Costanzo"},"content":{"rendered":"

ARTE diffuse jeudi 9 octobre \u00e0 22h35 L’Intervallo<\/em> (2012) de Leonardo Di Costanzo, d\u00e9couvert \u00e0 la Mostra de Venise.<\/p>\n

Dans un immense b\u00e2timent d\u00e9saffect\u00e9 d\u2019un quartier populaire de Naples, Salvatore, un adolescent timide et mal dans sa peau, est contraint par des patrons de la Camorra de surveiller Veronica, une jeune fille effront\u00e9e. Il ignore totalement les raisons de cette d\u00e9tention. Au cours de la journ\u00e9e, la relation entre les deux adolescents \u00e9volue et une certaine complicit\u00e9 s\u2019instaure. Veronica entra\u00eene Salvatore dans l\u2019exploration de leur vaste prison, comme pour \u00e9viter de penser au sort qui les attend. L\u2019Intervallo<\/em> est le premier long m\u00e9trage de fiction d\u2019un documentariste r\u00e9put\u00e9, Leonardo Di Costanzo. L\u2019Intervallo<\/em> conserve un ancrage documentaire tr\u00e8s fort puisqu\u2019il s\u2019agit d\u2019une histoire invent\u00e9e mais inspir\u00e9e par des personnes r\u00e9elles que Di Costanzo avait rencontr\u00e9es \u00e0 l\u2019occasion de ses films pr\u00e9c\u00e9dents. Le film a \u00e9t\u00e9 tourn\u00e9 dans la vieille Naples (d\u00e9cor naturel unique et po\u00e9tique d’un immeuble en ruines) avec de jeunes com\u00e9diens non professionnels issus de la ville. Aujourd\u2019hui il ne fait plus aucun doute que le salut du cin\u00e9ma italien viendra de ce type de productions ind\u00e9pendantes mises en chantier tr\u00e8s loin de ce qui reste de l\u2019industrie cin\u00e9matographique romaine, en \u00e9tat de putr\u00e9faction avanc\u00e9e et qui ne fabrique plus que quelques pseudo films d\u2019auteurs boursoufl\u00e9s aux allures de t\u00e9l\u00e9films ou de publicit\u00e9 pour les p\u00e2tes.<\/p>\n

\"L'Intervallo\"<\/a>

L’Intervallo<\/p><\/div>\n

L\u2019Intervallo<\/em>, comme en 2011 L\u2019Et\u00e9 de Giaccomo<\/em> d\u2019Alessandro Comodin est une petite merveille de sensibilit\u00e9 et de po\u00e9sie, qui prouve que le cin\u00e9ma consiste d\u2019abord \u00e0 savoir filmer des \u00eatres (et pas forc\u00e9ment des personnages) et des lieux (et pas seulement des d\u00e9cors) avec un sens de l\u2019espace et du cadre qui n\u2019a rien \u00e0 voir avec l\u2019argent ou la notori\u00e9t\u00e9. Le minimalisme du dispositif n\u2019aboutit heureusement pas \u00e0 une \u0153uvre aust\u00e8re ou aride. Le souffle de la vie passe dans les plans, les jeunes interpr\u00e8tes apportent beaucoup de gr\u00e2ce et de sensualit\u00e9, la modestie du projet n\u2019emp\u00eache pas un regard politique intelligent et sur l\u2019Italie d\u2019aujourd\u2019hui, le probl\u00e8me intemporel de la mafia et ses ramifications actuelles. Au-del\u00e0 du contexte social et n\u00e9o-r\u00e9aliste, L\u2019Intervallo<\/em> est un beau film sur le th\u00e8me de la rencontre et sur les \u00e9mois de l\u2019adolescence.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

ARTE diffuse jeudi 9 octobre \u00e0 22h35 L’Intervallo (2012) de Leonardo Di Costanzo, d\u00e9couvert \u00e0 la Mostra de Venise. 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