{"id":13603,"date":"2014-10-24T04:59:26","date_gmt":"2014-10-24T03:59:26","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=13603"},"modified":"2014-10-20T09:24:07","modified_gmt":"2014-10-20T08:24:07","slug":"videodrome-de-david-cronenberg-2","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/10\/24\/videodrome-de-david-cronenberg-2\/","title":{"rendered":"Vid\u00e9odrome de David Cronenberg"},"content":{"rendered":"

Mal re\u00e7u \u00e0 sa sortie et consid\u00e9r\u00e9 comme une petite production horrifique malade et malsaine (ce fut un \u00e9chec cinglant, class\u00e9 X, censur\u00e9 voire banni dans de nombreux pays comme le Royaume-Uni pour ses exc\u00e8s \u00ab\u00a0gore\u00a0\u00bb et SM), Vid\u00e9odrome<\/em> (Videodrome<\/em>, 1983) est le grand film proph\u00e9tique des ann\u00e9es 80, un manifeste sur les nouvelles images, nocives et cannibales. Il ressort le mercredi 29 octobre en salles, distribu\u00e9 par Splendor Films, dans une version restaur\u00e9e. On se souvient de la d\u00e9couverte de ce chef-d\u2019\u0153uvre adolescent en mai 1984, soit apr\u00e8s le film suivant de Cronenberg Dead Zone<\/em>. Le film \u00e9tait sorti en catimini pendant le festival de Cannes o\u00f9 il n\u2019\u00e9tait bien s\u00fbr pas invit\u00e9, d\u00e9fendu seulement par une poign\u00e9e de critiques cin\u00e9philes, avec l\u2019accroche publicitaire \u00e9logieuse de Andy Warhol qui le d\u00e9signait comme \u00ab\u00a0le Orange m\u00e9canique<\/em> des ann\u00e9es 80.\u00a0\u00bb Sans parler de l\u2019\u00e9rotisme insens\u00e9 du personnage interpr\u00e9t\u00e9 par Deborah Harry, \u00e9g\u00e9rie rock du groupe \u00ab\u00a0Blondie\u00a0\u00bb dans le plus grand r\u00f4le de sa maigre carri\u00e8re au cin\u00e9ma. Un choc inoubliable qui sera suivi par de nombreuses autres visions, sur diff\u00e9rents supports, m\u00eame si apr\u00e8s le film et ses fameuses s\u00e9quences de VHS organiques vous ne pouviez plus regarder votre mat\u00e9riel \u00ab\u00a0home vid\u00e9o\u00a0\u00bb du m\u00eame \u0153il.<\/p>\n

\"Deborah<\/a>

Deborah Harry dans la chambre des tortures…<\/p><\/div>\n

Max (g\u00e9nial James Woods), le directeur cynique d\u2019une petite cha\u00eene de t\u00e9l\u00e9vision c\u00e2bl\u00e9e sp\u00e9cialis\u00e9e dans le sexe et la violence, en qu\u00eate perp\u00e9tuelle de sensations fortes \u00e0 offrir \u00e0 ses abonn\u00e9s, d\u00e9couvre le programme pirate \u00ab\u00a0Vid\u00e9odrome\u00a0\u00bb, qui montre des images de jeunes femmes ligot\u00e9es et fouett\u00e9es. Apparemment, ces sc\u00e8nes de tortures sont non simul\u00e9es et provoquent chez Max de dangereuses hallucinations (qui n\u2019en sont peut-\u00eatre pas) et son enveloppe charnelle subit d\u2019atroces m\u00e9tamorphoses. Son estomac se transforme en magn\u00e9toscope, sa main en arme \u00e0 feu, et il devient peu \u00e0 peu l\u2019instrument d\u2019une machination qui le d\u00e9passe.<\/p>\n

\"James<\/a>

James Woods appelle Deborah Harry<\/p><\/div>\n

Vid\u00e9odrome<\/em> d\u00e9laisse tr\u00e8s vite l\u2019id\u00e9e des \u00ab\u00a0snuff movies\u00a0\u00bb qui fait surtout fantasmer les imb\u00e9ciles pour proposer une r\u00e9flexion philosophique sur l\u2019alt\u00e9ration de la r\u00e9alit\u00e9, d\u00e9clinant avec une incroyable intelligence visionnaire les transformations chimiques du corps et autres complots politico-m\u00e9diatiques chers \u00e0 Cronenberg. Bien avant la vulgarisation de la cyberculture, du tout \u00e0 l\u2019image et du virtuel, Cronenberg proph\u00e9tise un monde menac\u00e9 par le totalitarisme des images d\u00e9pouill\u00e9es du moindre r\u00e9f\u00e9rent r\u00e9el, utilis\u00e9es comme des drogues ali\u00e9nantes. Les forces de r\u00e9sistance pr\u00f4nent l\u2019av\u00e8nement d\u2019un messianisme new age et d\u2019un homme nouveau, fruit d\u2019une mutation organique, chimique et \u00e9lectronique (\u00ab Mort \u00e0 Vid\u00e9odrome, longue vie \u00e0 la nouvelle chair\u00a0\u00bb). Vid\u00e9odrome<\/em> aborde la dictature des images dans les ann\u00e9es 80 sur un mode sexuel et violent, eXistenZ<\/em> d\u00e9clinera dix ans plus tard les m\u00eames th\u00e8mes sur un mode ludique en prenant comme pr\u00e9texte l\u2019univers des jeux virtuels.<\/p>\n

\"Une<\/a>

Une d\u00e9bauche d’hallucinations terrifiantes et d’effets tr\u00e8s sp\u00e9ciaux<\/p><\/div>\n

\"\"<\/a><\/p>\n

\"\"<\/a><\/p>\n

Cronenberg n\u2019est pas pass\u00e9 d\u2019un cin\u00e9ma organique \u00e0 un cin\u00e9ma intellectuel, contrairement aux id\u00e9es re\u00e7ues. Son dernier grand film en date, le g\u00e9nial A Dangerous Method<\/em>, ne parle que des rapports conflictuels et douloureux entre le corps et l\u2019esprit, via l\u2019invention de la psychanalyse et le traitement des troubles psychosomatiques et hyst\u00e9riques. C\u2019\u00e9tait d\u00e9j\u00e0 le sujet de Chromosome 3<\/em> (The Brood<\/em>), l\u2019un des premiers et remarquables films d\u2019horreur du cin\u00e9aste canadien.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Mal re\u00e7u \u00e0 sa sortie et consid\u00e9r\u00e9 comme une petite production horrifique malade et malsaine (ce fut un \u00e9chec cinglant,\u2026<\/p>\n","protected":false},"author":116,"featured_media":13604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nVid\u00e9odrome de David Cronenberg - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/10\/24\/videodrome-de-david-cronenberg-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vid\u00e9odrome de David Cronenberg - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Mal re\u00e7u \u00e0 sa sortie et consid\u00e9r\u00e9 comme une petite production horrifique malade et malsaine (ce fut un \u00e9chec cinglant,\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/10\/24\/videodrome-de-david-cronenberg-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2014-10-24T03:59:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-10-20T08:24:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/Videodrome3.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/10\/24\/videodrome-de-david-cronenberg-2\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/10\/24\/videodrome-de-david-cronenberg-2\/\",\"name\":\"Vid\u00e9odrome de David Cronenberg - 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