{"id":13299,"date":"2014-11-19T03:06:45","date_gmt":"2014-11-19T02:06:45","guid":{"rendered":"https:\/\/www.arte.tv\/sites\/olivierpere\/?p=13299"},"modified":"2014-11-07T12:35:00","modified_gmt":"2014-11-07T11:35:00","slug":"le-canardeur-de-michael-cimino","status":"publish","type":"post","link":"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/19\/le-canardeur-de-michael-cimino\/","title":{"rendered":"Le Canardeur de Michael Cimino"},"content":{"rendered":"
\"Le<\/a>

Le Canardeur<\/p><\/div>\n

Carlotta ressort aujourd\u2019hui en DVD et Blu-ray dans un nouveau master restaur\u00e9 en HD Le Canardeur<\/em> (Thunderbolt and Lightfoot<\/em>, 1974), le premier long m\u00e9trage mis en sc\u00e8ne par Michael Cimino, avec un entretien in\u00e9dit avec le r\u00e9alisateur dans les compl\u00e9ments. D\u2019abord sc\u00e9nariste, Cimino \u00e9crit avec un autre futur cin\u00e9aste, John Milius, le second et excellent \u00e9pisode de la s\u00e9rie des \u00ab\u00a0Dirty Harry\u00a0\u00bb, Magnum Force<\/em> sign\u00e9 Ted Post, puis convainc Clint Eastwood de le laisser diriger Thunderbolt and Lightfoot<\/em> (titre moins stupide que sa \u00ab\u00a0traduction\u00a0\u00bb fran\u00e7aise, Le Canardeur<\/em>) pour sa soci\u00e9t\u00e9 de production Malpaso, un sc\u00e9nario personnel qu\u2019il a \u00e9crit en pensant \u00e0 lui. Ce magnifique coup d\u2019essai marque la naissance d\u2019un des talents les plus originaux du Nouvel Hollywood des ann\u00e9es 70. Les ambitions du jeune cin\u00e9aste sont pourtant masqu\u00e9es derri\u00e8re un mat\u00e9riau \u00e0 premi\u00e8re vue trivial\u00a0: il s\u2019agit d\u2019un \u00ab\u00a0buddy movie\u00a0\u00bb m\u00e2tin\u00e9 de film de holp up et de \u00ab\u00a0road movie\u00a0\u00bb picaresque avec des \u00e9l\u00e9ments comiques, destin\u00e9 \u00e0 mettre en valeur la star Eastwood. Non seulement Cimino parvient rendre \u00e0 Eastwood moins monolithique que d\u2019habitude, mais il offre aussi au jeune Jeff Bridges la possibilit\u00e9 d\u2019\u00e9clipser la star. Le Canardeur<\/em> n\u2019a certes pas l\u2019ampleur visuelle, la dimension op\u00e9ratique et historique des chefs-d\u2019\u0153uvre suivants de Cimino, qui fait ses gammes sur un tournage \u00e0 petit budget. Cimino se situe de mani\u00e8re tr\u00e8s consciente \u00e0 la fin d\u2019une g\u00e9n\u00e9alogie du cin\u00e9ma am\u00e9ricain, apr\u00e8s Ford et Peckinpah. D\u00e8s les premiers plans du film il magnifie les paysages am\u00e9ricains (minutieux rep\u00e9rages effectu\u00e9s dans le Montana), exalte l\u2019amiti\u00e9 virile et l\u2019individualisme de ses h\u00e9ros, se montre \u00e9l\u00e9giaque et attir\u00e9 par les perdants et les d\u00e9class\u00e9s. Cimino est un cin\u00e9aste \u00e0 la fois sentimental et intellectuel, et son cin\u00e9ma oscille entre la nostalgie des origines (son c\u00f4t\u00e9 primitif), et une posture artistique tr\u00e8s moderne (son c\u00f4t\u00e9 mani\u00e9riste). Dans Le Canardeur<\/em>, il y a un ton grotesque et une iconoclastie qu\u2019on ne retrouvera plus dans l\u2019\u0153uvre de Cimino, qui s\u2019amuse \u00e0 d\u00e9guiser Eastwood en pasteur et Bridges en femme. Ce qui fut per\u00e7u comme de l\u2019humour rustique h\u00e9rit\u00e9 de Raoul Walsh cachait peut-\u00eatre une dimension plus intime. Ce travestissement inattendu explicite l\u2019homosexualit\u00e9 latente qui existe dans le personnage de Lightfoot (Bridges dans le r\u00f4le de Cimino), le jeune chien fou qui s\u2019amourache de Thunderbolt (Eastwood, dans le r\u00f4le de Ford), le vieux loup solitaire. Il trouve un \u00e9cho particulier aujourd\u2019hui que Cimino, l\u2019immense auteur de Voyage au bout de l\u2019enfer<\/em> et La Porte du paradis<\/em>, fant\u00f4me \u00e9chou\u00e9 depuis la fin des ann\u00e9es 80 dans le \u00ab\u00a0no man\u2019s land\u00a0\u00bb des cin\u00e9astes maudits, entre hommages et \u00ab\u00a0come backs\u00a0\u00bb impossibles, est surtout c\u00e9l\u00e8bre pour ses bizarreries transformistes et ses multiples op\u00e9rations de chirurgie esth\u00e9tique.<\/p>\n

\"Clint<\/a>

Clint Eastwood et Jeff Bridges dans Le Canardeur<\/p><\/div>\n

Nous avons eu la chance de lire il y a deux ans d\u00e9j\u00e0 un sc\u00e9nario de Michael Cimino intitul\u00e9 \u00ab\u00a0Cream Rises\u00a0\u00bb, une histoire violente et d\u00e9senchant\u00e9e dans la Californie d\u2019aujourd\u2019hui autour de l\u2019amiti\u00e9 de deux femmes marginales, l\u2019une plus \u00e2g\u00e9e que l\u2019autre. Prostitution et alcoolisme. Avec la mort au bout du chemin. Un projet tr\u00e8s \u00ab\u00a0destroy\u00a0\u00bb que l\u2019on pouvait lire comme une version f\u00e9minine et encore plus nihiliste du Canardeur<\/em>. On l\u2019avait dit au principal int\u00e9ress\u00e9, qui n\u2019avait pas refus\u00e9 ce rapprochement, ce retour aux sources. Si seulement Cimino pouvait r\u00e9aliser ce film\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"

Carlotta ressort aujourd\u2019hui en DVD et Blu-ray dans un nouveau master restaur\u00e9 en HD Le Canardeur (Thunderbolt and Lightfoot, 1974),\u2026<\/p>\n","protected":false},"author":116,"featured_media":13300,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[],"yoast_head":"\nLe Canardeur de Michael Cimino - Olivier P\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/19\/le-canardeur-de-michael-cimino\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Canardeur de Michael Cimino - Olivier P\u00e8re\" \/>\n<meta property=\"og:description\" content=\"Carlotta ressort aujourd\u2019hui en DVD et Blu-ray dans un nouveau master restaur\u00e9 en HD Le Canardeur (Thunderbolt and Lightfoot, 1974),\u2026\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/19\/le-canardeur-de-michael-cimino\/\" \/>\n<meta property=\"og:site_name\" content=\"Olivier P\u00e8re\" \/>\n<meta property=\"article:published_time\" content=\"2014-11-19T02:06:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2014-11-07T11:35:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.arte.tv\/sites\/olivierpere\/files\/film-le-canardeur5.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"773\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Olivier P\u00e8re\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Olivier P\u00e8re\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/19\/le-canardeur-de-michael-cimino\/\",\"url\":\"https:\/\/www.arte.tv\/sites\/olivierpere\/2014\/11\/19\/le-canardeur-de-michael-cimino\/\",\"name\":\"Le Canardeur de Michael Cimino - 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