![\"La](\"https:\/\/www.arte.tv\/sites\/fr\/olivierpere\/files\/2014\/03\/LA-SERVANTE-13.jpg\")
<\/a>La Servante<\/p><\/div>\n
Un professeur de musique et sa famille emm\u00e9nagent dans une maison plus grande. A la demande de son \u00e9pouse, le professeur engage une domestique, jeune femme myst\u00e9rieuse qui va devenir sa ma\u00eetresse. Le nouveau domicile familial devient le th\u00e9\u00e2tre d\u2019un angoissant huis-clos, qui va basculer dans la violence. Le noir et blanc contrast\u00e9, les plans obstru\u00e9s et les d\u00e9cors anxiog\u00e8nes cr\u00e9ent un espace vertical et une atmosph\u00e8re claustrophobe (la maison s\u2019\u00e9l\u00e8ve sur plusieurs \u00e9tages, avec un escalier \u00e9troit, un grenier et des petites pi\u00e8ces encombr\u00e9es) digne des meilleurs films d\u2019horreur.
\nLa Servante<\/i>, huiti\u00e8me film de Kim Ki-young, marque un tournant dans le travail du cin\u00e9aste cor\u00e9en. Ce film eut un tel impact dans la carri\u00e8re de Kim Ki-young qu\u2019il en r\u00e9alisa lui-m\u00eame deux nouvelles versions \u00e0 dix ans d\u2019intervalle, qui constituent un v\u00e9ritable triptyque dans sa filmographie\u00a0: La Femme de feu<\/i> (Hwanyeo)<\/i> en 1971 et un autre film avec un titre identique (Hwanyeo’82)<\/i> onze ans plus tard. Cette histoire de vampirisation cristallise en effet les obsessions de ce cin\u00e9aste passionn\u00e9 par la cruaut\u00e9 des relations sociales et priv\u00e9es entre hommes et femmes, l\u2019\u00e9tude de pathologies ou de situations douloureuses donnant chez lui naissance \u00e0 des m\u00e9lodrames paroxystiques d\u2019une folie sans \u00e9gale, qui lui ont valu d\u2019\u00eatre compar\u00e9 \u00e0 Stroheim ou Bu\u00f1uel.
\nChez Kim Ki-young le personnage de la servante est pr\u00e9sent\u00e9e comme l\u2019\u00e9l\u00e9ment pervers et mal\u00e9fique qui va s\u2019immiscer dans une famille ordinaire pour la d\u00e9truire, tandis que Im Sang-soo inverse ce dispositif en montrant une famille tr\u00e8s riche et puissante parvenant \u00e0 briser un corps prol\u00e9taire, objet de d\u00e9sir devenu un dangereux \u00e9l\u00e9ment perturbateur\u00a0: le mal a chang\u00e9 de camps.
\nL\u2019une des premi\u00e8res \u00e9tapes de la (re)d\u00e9couverte de Kim Ki-young hors de son pays fut la r\u00e9trospective la plus compl\u00e8te possible \u00e0 l\u2019\u00e9poque \u2013 une vingtaine de titres \u2013 organis\u00e9e par la Cin\u00e9math\u00e8que fran\u00e7aise en novembre d\u00e9cembre 2006, avec la participation du Korean Film Council et de plusieurs jeunes r\u00e9alisateurs cor\u00e9ens souhaitant t\u00e9moigner de leur admiration pour le ma\u00eetre Kim. En 2008, la Korean Film Archive a entrepris la restauration de son chef-d’\u0153uvre La Servante<\/i>, avec le soutien de la World Cinema Foundation de Martin Scorsese. C’est cette version qui est diffus\u00e9e par ARTE, apr\u00e8s avoir fait l\u2019objet d\u2019une belle r\u00e9\u00e9dition en salles et en Blu-ray en France gr\u00e2ce au distributeur Carlotta en 2012.
\nLes deux films, l\u2019original et son remake, passionnants \u00e0 mettre en perspective, seront disponibles sur ARTE+7.<\/p>\n","protected":false},"excerpt":{"rendered":"
ARTE diffuse lundi 16 juin \u00e0 22h30 La Servante (Hanyo, 1960) classique v\u00e9n\u00e9neux du cin\u00e9ma cor\u00e9en de Kim Ki-young. Il\u2026<\/p>\n","protected":false},"author":116,"featured_media":11914,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"\n
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