![\"\"](\"https:\/\/www.arte.tv\/sites\/fr\/olivierpere\/files\/2014\/01\/riviere-rouge-1948-02-g.jpg\")
<\/a><\/p>\nIl s\u2019agit du premier western de Howard Hawks qui avait auparavant offert au film de gangsters (Scarface<\/i>), au film noir (Le Grand Sommeil<\/i>) \u00e0 la com\u00e9die (L\u2019Impossible Monsieur B\u00e9b\u00e9<\/i>) au film d\u2019aventures (Seuls les anges ont des ailes<\/i>) ou de guerre (Sergent York<\/i>) quelques-uns de leurs plus parfaits repr\u00e9sentants. Ecrit par Borden Chase (futur sc\u00e9nariste des grands westerns d\u2019Anthony Mann avec James Stewart), La Rivi\u00e8re rouge<\/i> tend aussi \u00e0 la perfection et se r\u00e9v\u00e8le un titre matriciel du genre am\u00e9ricain par excellence, mais aussi des grands classiques \u00e0 venir de Hawks qui signera au moins deux autres chefs-d\u2019\u0153uvre absolus du western, La Captive aux yeux clairs <\/i>(1952) et Rio Bravo<\/i> (1959) qui reprend en partie le conflit g\u00e9n\u00e9rationnel au c\u0153ur de La Rivi\u00e8re rouge<\/i>.<\/p>\n
La Rivi\u00e8re rouge<\/i> est aussi un titre important dans la carri\u00e8re de John Wayne, puisque le film de Hawks lui offre un r\u00f4le d\u2019une grande complexit\u00e9 psychologique gr\u00e2ce auquel l\u2019acteur peut d\u00e9montrer l\u2019\u00e9tendue de son talent, avec une subtilit\u00e9 rarement exprim\u00e9e auparavant. C\u2019est une ambig\u00fcit\u00e9 et une \u00e9motion comparables que Wayne retrouvera quelques ann\u00e9es plus tard dans La Prisonni\u00e8re du d\u00e9sert<\/i> de John Ford, autre fresque intimiste \u00e9tal\u00e9e sur une longue p\u00e9riode et de longs d\u00e9placements sur les \u00e9tendues sauvages de l\u2019ouest am\u00e9ricain. La Rivi\u00e8re rouge<\/i> b\u00e9n\u00e9ficia de moyens techniques et financiers colossaux et inhabituels pour un western. L\u2019envergure hors du commun du film ne concerne pas uniquement la gestion spectaculaire des grands espaces et des sc\u00e8nes d\u2019action, mais aussi la puissance des relations entre les personnages. Ce sont avant tout l\u2019affrontement entre Dunson et Matt, magnifiquement interpr\u00e9t\u00e9s par Wayne et Clift (photo en t\u00eate de texte), et la mise en sc\u00e8ne g\u00e9niale de Hawks qui font de La Rivi\u00e8re rouge<\/i> un film inoubliable.<\/p>\n
<\/p>\n
La Rivi\u00e8re rouge<\/i> sera rediffus\u00e9 mardi 21 janvier \u00e0 13h35.<\/p>\n![\"Montgomery](\"https:\/\/www.arte.tv\/sites\/fr\/olivierpere\/files\/2014\/01\/riviere-rouge-1948-01-g.jpg\")
<\/a>Montgomery Clift et Joanne Dru<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"
Dans le cadre de son cycle western ARTE diffuse demain soir La Rivi\u00e8re rouge (Red River, 1948) de Howard Hawks,\u2026<\/p>\n","protected":false},"author":116,"featured_media":11660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[8],"tags":[],"yoast_head":"\n
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